Photo of the Week

A sunflower sea star crawls along the sand in the shallow water of a coastal tide pool in the backcountry of Washington’s Olympic National Park. Watching this sea star scuttle about was one of the most incredible experiences I’ve ever had in the wilderness, and I feel incredibly lucky to have had it. Beginning in 2013, the year that I took this photo, a mysterious sea star wasting disease coupled with rising ocean temperatures has virtually wiped the once prolific sunflower sea star out of existence on the North American West Coast. Prints Available.

Summer Canoeing

This article along with others can be found at Pure Adirondacks.  

Until recently, summer was by far been my least favorite time of year for photography in the Adirondacks. Lacking the bright colors and moody fog of autumn and the austere beauty of winter, I rather foolishly had convinced myself that there was nothing to see or photograph this time of year except endless blobs of green trees. Add in the crowded trails and swarms of biting insects, and for the most part the past few summers found me daydreaming of fall and all its grandeur rather than getting out to the Adirondacks for exploration and photography. How foolish of me. 

It was a phone call from my dad that I received this past winter that would begin to drastically change my tune regarding summer photography in the Adirondacks. My wife and I had recently gotten married, and my dad was calling to tell me about an idea he had for our wedding gift. I can’t recall what I was expecting him to suggest as our wedding gift, but it definitely was not what he proposed: a canoe. “Are you serious?!” I blurted out, and then spent the next several weeks giddily researching canoes. While I have become a seasoned backpacking veteran over the years, aside from some short paddles while in Cub Scouts decades ago, canoeing was a completely new animal to me with new terminology and techniques to learn. Gunwale, J-stroke, rocker, Kevlar and aramid…what does it all mean? At least I had plenty of time to stay in and familiarize myself with the world of canoeing, as the COVID-19 pandemic took hold of the world just as my research was kicking into high gear. After finally coming to a decision (Nova Craft Canoe’s Bob Special), all that was left to do was anxiously wait for our shiny new toy to arrive. 

While it may sound like hyperbole, Bobby (the name we’ve bestowed upon our canoe) has been a revelation. As someone that’s always enjoyed jumping into a cool lake more than summiting a mountain on a hot summer day, having the ability to finally explore the countless lakes, rivers, and ponds in the Adirondacks has felt like discovering a whole new park within the Park that I was never privy to. Rocky islands that used to be longingly gazed at from shore are now picnic destinations, crowded trails have been exchanged for open blue water, loons that before were only heard can now be seen, and the “nothing but a green blob” mentality that I used to hold regarding summer photography in the Adirondacks has thankfully become a thing of the past. 

One of the best parts about owning a canoe has been that in addition to transporting me to previously inaccessible locations for photography, the canoe itself makes for an entertaining photo subject and has been my photography muse this summer. While the aesthetics of a canoe and paddles typically are secondary to their actual performance, as a photographer I knew that I wanted a set-up that would not only be a joy to paddle but would also stand out in photos. A pair of carbon fiber and wood paddles from Bending Branches have proven to be an excellent fusion of modern lightweight materials and vintage design and have been a perfect complement to the Bob Special. This set-up has already provided me with hours of entertainment, whether I have a paddle or a camera in my hands. 

I’ve been wrong about many things in my life (who wasn’t?) and holding the belief that there’s not much worth photographing in the Adirondacks in the summer months was surely one of my bigger gaffes. Becoming a canoe owner has not only changed the way I view summer photography and wilderness exploration in the Adirondacks, but has also been a shining light in my life amid the seemingly never-ending darkness that is the year 2020. I hope that all of you have been able to latch onto something these past few months that has been a beacon of hope in your life like how the canoe has been mine, and that you’ve been able to seek out and experience the healing power of nature in the Adirondacks or beyond. 

Photo of the Week

While photographing fields of beautiful spring lupines in New Hampshire’s White Mountains, I was so focused on photographing the sunset that I didn’t realize that the real magic was happening off to my side. Fortunately, Amanda’s keen eyes allowed her to capture this deer (which is sprouting fresh antlers) walking through the flowery hillside before it ran off into the forest. Prints Available.

Photo taken by Amanda Priola.

Behind the Shot

This article along with others can be found at Pure Adirondacks.

Photography Equipment: Canon 6D, Canon EF 16-35mm f/4L IS USM Lens, Gitzo mountaineer tripod, Really Right Stuff ballhead, remote shutter release, B+W 6-stop neutral density filter, B+W circular polarizer

Exposure Data:

Exposure 1 (waterfall and foreground): 15 sec. at f/11, ISO 100, 21 mm

Exposure 2 (background): 0.3 sec. at f/11, ISO 100, 21 mm

Anyone that’s ever trekked along the Lake Road from the Ausable Club near Keene Valley knows that this gateway to the High Peaks is equal parts a blessing and a curse. While it can be a quick and easy way to cover ground en route to popular peaks such as Gothics or Indian Head, in the heat of summer it can also be a dusty, sweltering, and altogether boring jaunt, as it was for me on the day that this photo was taken. I was thrilled to finally reach the Gill Brook Trail and trade the noise and dust clouds of the Ausable Club buses for the solitude and calm of the forest. My original destination on this June day had been sunset at Indian Head, but I got so distracted by the beauty and multitude of cascades along Gill Brook that I ran out of time. Alas, sometimes the journey becomes the destination.

After photographing some cascades close to the start of the trail, I clambered along towards Indian Head until a small cascade just off of the trail caught my eye. The low-angled evening sun was casting a warm, subtle glow on the fresh spring trees, and the pretty little cascade spilled over a rock ledge into a pool filled with bubbles. The photography alarms went off in my head, as I’m always seeking out foam and bubbles while photographing waterfalls. While to the naked eye there doesn’t seem to be anything special about foam floating on the water’s surface, the subtle motion created by a current can yield whimsical results when using a long exposure. Those ordinary foam bubbles can be rendered as swirls and streaks that make perfect foregrounds if the conditions and technique are just right. 

My favorite waterfall photos are often taken while standing right in the water, and this one was no exception. This helps to get the viewer closer to the action and make them feel as if they’re about to get wet themselves. Once in the shallow water at the edge of the pool, I positioned my tripod just above the surface to further emphasize the plunge pool and the swirls that I hoped would come from a long exposure. 

After taking a couple of test shots, it was clear that in order to achieve the multi-second exposure that would be necessary to get the “swirl” effect that I desired, I’d need to use a neutral density (ND) filter. These filters are essentially sunglasses for a lens and serve to limit the amount of light that reaches the sensor by anywhere from 1 stop to 10+ stops. The optimal filter to use for a given photo all depends on the desired effect and the amount of light in the scene.  Since it was still day time and the scene was well lit, I tried out a 6-stop ND filter. Coupled with the circular polarizer that I already had on my lens (to reduce glare and saturate the foliage, the two filters combined reduced the amount of light that the camera was able to see by ~7 stops. This allowed a 15-second exposure to capture the subtle motion of the foam as a swirl without overexposing the photo and blowing out the highlights. After getting the camera settings dialed in, I took 10-20 shots of the scene, since subtle differences in water movement can yield drastically different photographs, and it’s nice to have a variety to choose from. 

While a 15-second exposure worked great to give the swirl effect, it also rendered the trees in the background as blurry blobs due to the trees swaying from a slight breeze. I wanted the trees in the background to be sharp and in focus, so after taking multi-second exposures for the water I removed the ND filter and left just the circular polarizer on, which allowed a much shorter exposure to freeze the trees, which was combined with the longer exposure foreground shot in post-processing. 

After manually combining the two shots in post, the processing of this image was relatively simple and straightforward. The main work that was done in Photoshop was some selective dodging and burning to accentuate the cascade and swirls in the foreground, as well as the vibrant green foliage in the background. After an hour or two of editing, “Altered Mind State” was a final product. I’ve found that moving water, whether a waterfall or crashing waves along the coast, is one of the most fun wilderness photography subjects, especially when using long exposures. This technique can reveal the subtlest of motions and portray moving water in a whole new light, and make you and the viewer feel as if you’ve entered an altered mind state.